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I went to a movie premiere with my best friend and we met Janelle Monae and saw lots of celebrities including M’Baku, a man who makes me wish I was a carrot. I had my first manicure and the manicurist came to my apartment and made our fingernails pretty.
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I wrote an episode of a limited series and the studio didn’t like it and it was a failure but I learned from it. I worked on things you will be reading or watching in the coming years. I curated an anthology about Unruly Bodies, and an anthology about rape culture called Not That Bad, and edited Best American Short Stories 2018. My memoir, Hunger, came out in paperback. My very first book, Ayiti, was re-released. and men like him who think they can dictate their comebacks, and a short story called Boy In a Coma, and whether or not we can separate the art from the artist, and how much I hated the show Insatiable, and I am forgetting some things but I am not so good at keeping track anymore.
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I wrote about love, and the importance of voting while disillusioned, and a year of #MeToo, and activism fatigue, and Roseanne and Roseanne again, and how it is our responsibility to deal with Trump’s racism, and the shooting in Thousand Oaks, and Louis C.K.
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Unless Sykes had a mastermind plan to blowup the show up from the inside, the question must be posed, “was the money worth it?”įrom what can be ascertained, for a short period of time–yes.2018 was an eventful year. To create with a woman who, no doubt, sees her as an ape, is astounding. And even in comedy, where entertainers of color oftentimes take the pain of their experience and wrap it into a laugh for the audiences to enjoy, it’s difficult to understand why Sykes agreed to ignore the harm Barr has inflicted on so many. Sykes’ participation in the show speaks to that blindness which permeates certain entertainers of color who reach a level of influence. Black entertainers who take meetings with a president who openly hates them ( KanyeWest, Jim Brown, Steve Harvey). We’ve seen examples of Black actors working with controversial white directors ( Jamie Foxx + Samuel Jackson + QuentinTarrantino). What we have to discern is that Black people can also be problematic. Yet “Roseanne” was a huge success for ABC and beat out most of its competitors in numbers.Īnd the fact that two Black women-Dungey and Sykes–were part of this practice, should give us pause. A thought-provoking New York Times review by writer Roxane Gay, who, like Sykes is a member of the LGBTQ community, offered nuanced commentary on Barr’s problematic history.īut anything is possible in 2018, especially for a woman like Barr who was happily given a mainstream platform with a company that wants to silence activism (see “Black-ish” creator Kenya Burris’ fight with the network over his NFL protest episode) while propping up a bigot. In most of the reboots reviews, Barr was heralded as a comedic genius, and many swept her problematic history under the rug. She is committed to her white nationalistic views by clinging to her white supremacy by any means. Her turn from a progressive who used the first iteration of her show to tackle homophobia and elitism, into a far-right conservative who uses her social media to attack minorities and immigrants, is totally frightening.